the background of musical, urban events into a central location in Constanta is the theme for a potential manifesto.
we are dominated by mental flashbacks of some residual urban spaces, “ghost” spaces or spaces dismantled of initial activities, spaces that frequently welcome us as a diagnosis of nowadays postindustrial and post-communist society. this reality displeases by not being able to react with an economical treatment or cure.
but if the treatment came through a cultural discourse, maybe the pressure of failure would turn into the management of success?
what if a cultural “occupy” of these wounds represents the cure?